1 00:00:00,671 --> 00:00:02,133 PREVIOUSLY ON... 2 00:00:02,133 --> 00:00:06,337 IN THE WAKE OF A TRAGEDY, A DAUGHTER WAS SAFE... 3 00:00:06,337 --> 00:00:09,180 YOU SAVED HER LIFE. WE OWE YOU EVERYTHING. 4 00:00:09,180 --> 00:00:11,011 ORSON WAS CHANGED... 5 00:00:11,011 --> 00:00:13,714 THERE'S A GOOD CHANCE YOUR HUSBAND'S PARALYZED. 6 00:00:13,714 --> 00:00:15,386 AN UNBORN TWIN WAS GONE... 7 00:00:15,386 --> 00:00:17,288 WE LOST THE BABY... 8 00:00:17,288 --> 00:00:20,351 (whispers) BUT THE OTHER BABY IS FINE. 9 00:00:20,351 --> 00:00:23,294 AND AN EX-HUSBAND... KARL DIDN'T MAKE IT. 10 00:00:23,294 --> 00:00:25,326 OH, MY GOD. WAS DEAD. 11 00:00:33,164 --> 00:00:36,167 (Mary Alice) A MONTH AFTER THE DEATH OF KARL MAYER, 12 00:00:36,167 --> 00:00:39,310 HIS FAMILY ASSEMBLED FOR THE READING OF HIS WILL. 13 00:00:39,310 --> 00:00:44,315 TO EACH, KARL LEFT SOMETHING TO REMEMBER HIM BY. 14 00:00:44,315 --> 00:00:49,049 TO HIS GREAT AUNT, HE LEFT A GRAND PIANO. 15 00:00:49,049 --> 00:00:53,184 TO HIS FAVORITE COUSIN, HE LEFT GOLD CUFF LINKS. 16 00:00:53,184 --> 00:00:58,189 TO HIS BELOVED DAUGHTER, HE LEFT CASH AND SECURITIES. 17 00:00:58,189 --> 00:00:59,530 BUT KARL MAYER LEFT 18 00:00:59,530 --> 00:01:02,833 HIS MOST EXTRAORDINARY POSSESSION OF ALL 19 00:01:02,833 --> 00:01:06,497 TO SOMEONE WHO WASN'T EXPECTING A THING. 20 00:01:06,497 --> 00:01:10,141 "AND FINALLY, TO MY EX-WIFE, SUSAN MAYER..." 21 00:01:10,141 --> 00:01:12,143 HEY, THAT'S ME. 22 00:01:12,143 --> 00:01:16,177 OH, I-I-I WAS JUST HERE TO SUPPORT MY DAUGHTER. 23 00:01:16,177 --> 00:01:18,479 SERIOUSLY, I'VE BEEN PLAYING HANGMAN ON MY PHONE. 24 00:01:20,351 --> 00:01:22,813 YOU WERE SAYING? 25 00:01:22,813 --> 00:01:25,116 "TO MY DEAREST SUSIE Q., 26 00:01:25,116 --> 00:01:28,659 "WHO ENDURED MY INFIDELITIES FAR LONGER THAN SHE SHOULD HAVE, 27 00:01:28,659 --> 00:01:30,861 "YEARS OF CHEATING, 28 00:01:30,861 --> 00:01:33,564 BETRAYALS ALMOST FROM THE DAY WE WERE MARRIED..." 29 00:01:33,564 --> 00:01:35,826 CAN WE JUST SKIP TO THE PART WHERE I GET STUFF? 30 00:01:35,826 --> 00:01:39,600 OH, DON'T LOOK AT ME LIKE THAT. YOU GOT THE PIANO. 31 00:01:39,600 --> 00:01:41,602 "WHILE I WAS NEVER GOOD 32 00:01:41,602 --> 00:01:43,604 "AT HIDING MY AFFAIRS OF THE FLESH, 33 00:01:43,604 --> 00:01:46,106 "I'M ASHAMED TO SAY THAT I WAS MORE SUCCESSFUL 34 00:01:46,106 --> 00:01:49,710 AT CONCEALING SOME OF MY FINANCIAL AFFAIRS." WHAT DOES THAT MEAN? 35 00:01:49,710 --> 00:01:52,513 I THINK DAD HID MONEY FROM YOU WHEN YOU WERE MARRIED. 36 00:01:52,513 --> 00:01:53,744 (gasps) 37 00:01:53,744 --> 00:01:55,746 WELL, IT'S NOT MONEY, EXACTLY. 38 00:01:55,746 --> 00:01:59,390 IT SEEMS YOUR EX-HUSBAND WAS PART OWNER IN A BUSINESS. 39 00:01:59,390 --> 00:02:02,623 HE WAS HAVING AFFAIRS, RAN A LAW FIRM 40 00:02:02,623 --> 00:02:05,125 AND HE OWNED A SECRET BUSINESS? 41 00:02:05,125 --> 00:02:08,899 GLAD YOU'RE FINALLY GETTING A LITTLE REST. 42 00:02:08,899 --> 00:02:13,164 NOW HE SPECIFICALLY ASKS THAT YOU KEEP AN OPEN MIND. 43 00:02:13,164 --> 00:02:15,206 IT'S VERY SUCCESSFUL. 44 00:02:15,206 --> 00:02:17,208 WELL, IF IT'S SO SUCCESSFUL, 45 00:02:17,208 --> 00:02:20,211 WHY DO I NEED TO KEEP AN OPEN MIND? 46 00:02:20,211 --> 00:02:23,344 YES, KARL MAYER LEFT HIS EX-WIFE 47 00:02:23,344 --> 00:02:25,816 SOMETHING TO REMEMBER HIM BY... 48 00:02:25,816 --> 00:02:27,318 ♪♪♪ 49 00:02:27,318 --> 00:02:29,450 (man whistles) 50 00:02:29,450 --> 00:02:34,885 NOT THAT THERE WAS ANY CHANCE SHE WOULD FORGET HIM. 51 00:02:45,496 --> 00:02:48,499 (dance music playing) 52 00:02:48,499 --> 00:02:51,171 (men cheering and whistling) 53 00:02:51,171 --> 00:02:53,173 ALL KINDS OF MEN GO TO 54 00:02:53,173 --> 00:02:55,175 THE DOUBLE D GENTLEMEN'S CLUB-- 55 00:02:55,175 --> 00:02:58,549 FRAT BOYS LOOKING FOR A THRILL... 56 00:02:58,549 --> 00:03:02,182 SOLDIERS LOOKING TO GET LUCKY... 57 00:03:02,182 --> 00:03:05,916 (clink) C.E.O.s LOOKING TO CLOSE A DEAL. 58 00:03:05,916 --> 00:03:09,960 YES, ALL KINDS OF MEN GO TO DOUBLE D's, 59 00:03:09,960 --> 00:03:15,566 WHICH CAN BE VERY UPSETTING TO ALL KINDS OF WOMEN. 60 00:03:15,566 --> 00:03:18,198 SUSAN MAYER? 61 00:03:18,198 --> 00:03:20,671 JIMBO ROONEY, CO-OWNER OF DOUBLE D's. 62 00:03:20,671 --> 00:03:24,575 UH, LOOK, I WAS REAL SAD TO HEAR ABOUT KARL'S PASSING. 63 00:03:24,575 --> 00:03:26,206 HE WAS A GOOD MAN, 64 00:03:26,206 --> 00:03:29,209 AND HE CARED ABOUT EACH AND EVERY ONE OF THESE DANCERS. 65 00:03:29,209 --> 00:03:30,881 OH, I'M SURE. 66 00:03:30,881 --> 00:03:33,944 KARL WAS ALWAYS A BIG SUPPORTER OF THE ARTS. 67 00:03:33,944 --> 00:03:36,887 UH, SO WHO DO I SPEAK TO 68 00:03:36,887 --> 00:03:40,251 ABOUT SELLING MY SHARE OF HERPES ON PARADE? 69 00:03:40,251 --> 00:03:42,253 ARE YOU SURE YOU WANT TO DO THAT? 70 00:03:42,253 --> 00:03:44,255 NOW BUSINESS HAS BEEN REAL GOOD LATELY, 71 00:03:44,255 --> 00:03:47,258 ESPECIALLY SINCE WE STARTED TOPLESS KARAOKE TUESDAYS. 72 00:03:47,258 --> 00:03:49,730 WELL, AS LUCRATIVE AN ENTERPRISE AS THAT SEEMS-- 73 00:03:49,730 --> 00:03:52,403 TAKE A LOOK AROUND. HAVE A DRINK. 74 00:03:52,403 --> 00:03:54,565 AND THEN IF YOU WANT TO SELL, 75 00:03:54,565 --> 00:03:57,468 YOU HAVE YOUR LAWYER CALL ME. 76 00:03:57,468 --> 00:03:59,970 OH. LOOK AT THAT. 77 00:03:59,970 --> 00:04:02,873 YOU MADE THE O's IN "ROONEY" INTO BOOBS. 78 00:04:02,873 --> 00:04:04,645 LOVELY. 79 00:04:04,645 --> 00:04:05,946 YOU LIKE THAT? 80 00:04:05,946 --> 00:04:08,649 WAIT TILL YOU SEE MY PARTNER VIC'S BUSINESS CARD. 81 00:04:08,649 --> 00:04:10,851 HE TOOK THE "V," AND HE MADE IT INTO A-- 82 00:04:10,851 --> 00:04:14,585 GOT IT. I THINK I'D REALLY LIKE THAT DRINK NOW. 83 00:04:14,585 --> 00:04:17,588 ♪♪♪ 84 00:04:22,633 --> 00:04:24,495 OH, UM, THANKS, 85 00:04:24,495 --> 00:04:26,897 BUT I--I'M NOT HERE FOR THE SHOW. 86 00:04:26,897 --> 00:04:30,371 I JUST FOUND OUT THAT I OWN HALF THIS PLACE. 87 00:04:30,371 --> 00:04:32,703 OH, NO KIDDIN'. WELL, NICE TO MEET YOU. 88 00:04:32,703 --> 00:04:34,905 I'M JENNIFER MORELLI, BUT AT 10:00, I'M "DESTINY." 89 00:04:34,905 --> 00:04:37,448 OH, WELL, I'M SUSAN DELFINO. 90 00:04:37,448 --> 00:04:40,050 AT 10:00, I AM IN A FLANNEL NIGHTGOWN. (chuckles) 91 00:04:40,050 --> 00:04:42,483 HEY, WE HAVE A DELFINO THAT COMES IN HERE. 92 00:04:42,483 --> 00:04:43,984 REALLY? 93 00:04:43,984 --> 00:04:45,986 WELL, IT'S A PRETTY COMMON NAME. 94 00:04:45,986 --> 00:04:49,059 I THINK HE'S A PLUMBER. REALLY? 95 00:04:49,059 --> 00:04:52,563 WELL, MAYBE THERE'S ANOTHER PLUMBER WITH THAT LAST NAME. 96 00:04:52,563 --> 00:04:54,565 MIKE--THAT'S IT. MIKE DELFINO. 97 00:04:54,565 --> 00:04:57,598 TALL GUY, BROWN HAIR, NICE SMILE? 98 00:04:57,598 --> 00:04:58,929 BIG BUSTED NOSE? 99 00:04:58,929 --> 00:05:01,702 OH, I DON'T THINK SO. 100 00:05:01,702 --> 00:05:04,935 WELL, WAIT TILL THE NEXT TIME YOU SEE HIM. 101 00:05:04,935 --> 00:05:07,007 (Lynette gasps) 102 00:05:07,007 --> 00:05:09,940 A TV? YOU GUYS DIDN'T HAVE TO DO THAT. 103 00:05:09,940 --> 00:05:12,783 YES, WE ABSOLUTELY DID. WE HAVE A FAMILY RULE-- 104 00:05:12,783 --> 00:05:15,786 YOU SAVE OUR DAUGHTER FROM BEING SQUASHED BY A PLANE, 105 00:05:15,786 --> 00:05:17,548 YOU GET A 60-INCH PLASMA. 106 00:05:17,548 --> 00:05:20,721 AND A FAUX LEATHER REMOTE CADDY. (laughs) OH, THANKS. 107 00:05:20,721 --> 00:05:25,025 THIS IS VERY GENEROUS. PLEASE. WE COULD NEVER MAKE UP FOR WHAT YOU DID. 108 00:05:25,025 --> 00:05:27,998 OR FOR HOW I BEHAVED TOWARD YOU THE PAST COUPLE OF WEEKS. 109 00:05:27,998 --> 00:05:31,031 I WAS SUCH A BITCH. OH, WE BOTH SAID THINGS. 110 00:05:31,031 --> 00:05:33,364 YEAH, BUT I SAID A LOT WORSE A LOT LOUDER. 111 00:05:33,364 --> 00:05:35,105 YEAH, YOU DID. 112 00:05:35,105 --> 00:05:37,738 (laughs) BY THE WAY, I TALKED TO HUMAN RESOURCES, 113 00:05:37,738 --> 00:05:40,040 AND THEY ARE FINE WITH CONTINUING TO PAY YOU 114 00:05:40,040 --> 00:05:44,044 UNTIL THE BABY IS BORN AND FOR SIX WEEKS AFTER THAT. CARLOS, THAT'S AMAZING. 115 00:05:44,044 --> 00:05:47,017 (laughs) SO WILL TERRENCE FILL IN UNTIL I GET BACK? 116 00:05:47,017 --> 00:05:51,081 ACTUALLY, NO. HE TOOK THE JOB IN MIAMI. SO WHO'S GONNA TAKE UP THE SLACK? 117 00:05:51,081 --> 00:05:54,885 WELL, I'LL PUT IN EXTRA HOURS, WORK WEEKENDS. 118 00:05:54,885 --> 00:05:57,388 DON'T WORRY ABOUT IT. YOU FOCUS ON THAT BABY. 119 00:05:57,388 --> 00:06:00,731 REALLY? I DON'T WANT TO HAVE THIS FALL ON YOU. CARLOS, WE GOTTA GET GOING. 120 00:06:00,731 --> 00:06:02,993 WE'VE GOT JUANITA'S INTERVIEW AT OAKRIDGE. 121 00:06:02,993 --> 00:06:06,467 OH, RIGHT. LYNETTE, DO NOT WORRY. I GOT YOUR BACK. BUT I FEEL SO GUILTY 122 00:06:06,467 --> 00:06:09,770 TAKING YOUR MONEY AND LEAVING YOU IN THE LURCH. 123 00:06:09,770 --> 00:06:12,943 HEY, I GOT A CRAZY IDEA. WHAT IF I FILL IN FOR LYNETTE? 124 00:06:12,943 --> 00:06:15,776 (laughs) OH, HONEY, THEY'RE IN A HURRY. NO TIME FOR JOKES. 125 00:06:15,776 --> 00:06:18,008 I'M SERIOUS. I-I'VE DONE HER JOB-- 126 00:06:18,008 --> 00:06:19,950 OR PRETTY DAMN SIMILAR-- WHEN I WAS IN ADVERTISING. 127 00:06:19,950 --> 00:06:23,113 I COULD STEP IN FOR HER UNTIL SHE GETS BACK ON HER FEET. 128 00:06:23,113 --> 00:06:25,886 OH, BUT THAT'S PUTTING CARLOS IN AN AWKWARD POSITION. 129 00:06:25,886 --> 00:06:28,619 I THINK IT'S A GREAT IDEA. ME, TOO. 130 00:06:28,619 --> 00:06:32,423 NO. NO, I THINK IT'S A GREAT IDEA, IN THEORY, 131 00:06:32,423 --> 00:06:35,796 BUT IT'S JUST-- IT'S SUCH A COMPLICATED JOB. 132 00:06:35,796 --> 00:06:39,500 YOU DON'T THINK I CAN HANDLE IT? 133 00:06:39,500 --> 00:06:43,974 NO. NO, I THINK YOU'D BE WONDERFUL. 134 00:06:43,974 --> 00:06:48,509 GREAT, IT'S SETTLED THEN. TOM, YOU START TOMORROW. THERE YOU GO, LYNETTE. 135 00:06:48,509 --> 00:06:51,011 NOW YOU HAVE NOTHING TO FEEL GUILTY ABOUT. 136 00:06:51,011 --> 00:06:52,943 RIGHT. RIGHT. 137 00:06:52,943 --> 00:06:56,547 WELL, THANKS AGAIN FOR THE TV. 138 00:06:56,547 --> 00:07:00,891 YOU GUYS HAVE BEEN WAY TOO GENEROUS. 139 00:07:02,593 --> 00:07:05,095 YOU MADE SCONES. MY FAVORITE. 140 00:07:05,095 --> 00:07:08,428 I KNOW. TAKE AS MANY AS YOU LIKE. (laughs) 141 00:07:08,428 --> 00:07:11,602 SO... WHAT DID YOU WANT TO SEE ME ABOUT? 142 00:07:11,602 --> 00:07:15,706 WELL, I WANTED TO GIVE YOU THIS DONATION FOR THE BUILDING FUND. OH. 143 00:07:15,706 --> 00:07:18,008 AND I ALSO HAVE SOME THINGS IN THE GARAGE 144 00:07:18,008 --> 00:07:20,711 FOR THE RUMMAGE SALE, AND I AM ALSO AVAILABLE 145 00:07:20,711 --> 00:07:23,914 TO RUN THE NEXT SUNDAY SCHOOL PANCAKE BREAKFAST. 146 00:07:23,914 --> 00:07:25,476 OH, GOOD HEAVENS. 147 00:07:25,476 --> 00:07:29,049 BREE, WHAT A WONDERFUL DISPLAY OF CHRISTIAN CHARITY. 148 00:07:29,049 --> 00:07:31,782 I JUST WANT TO DO MY PART. 149 00:07:31,782 --> 00:07:36,527 DOES THIS HAVE ANYTHING TO DO WITH THE PLANE CRASH? 150 00:07:36,527 --> 00:07:39,990 IN A MANNER OF SPEAKING. 151 00:07:39,990 --> 00:07:42,933 DO YOU WANT TO TALK ABOUT IT? 152 00:07:42,933 --> 00:07:45,996 I CAN'T. IT WOULD CHANGE HOW YOU FEEL ABOUT ME. 153 00:07:45,996 --> 00:07:48,999 BREE, I'VE KNOWN YOU FOR YEARS. I DON'T THINK THAT'S POSSIBLE. 154 00:07:51,001 --> 00:07:54,575 I HAD AN AFFAIR. (coughing) 155 00:07:54,575 --> 00:07:56,006 ARE YOU OKAY? 156 00:07:56,006 --> 00:08:00,681 UM, BEFORE YOU CONFESS A SIN THAT BIG, 157 00:08:00,681 --> 00:08:02,883 JUST TRY TO WAIT TILL I'VE SWALLOWED. 158 00:08:02,883 --> 00:08:04,585 (coughs) 159 00:08:04,585 --> 00:08:05,716 OH. 160 00:08:05,716 --> 00:08:09,089 WHO WAS THE AFFAIR WITH? 161 00:08:09,089 --> 00:08:11,121 KARL MAYER. 162 00:08:11,121 --> 00:08:13,694 HE WAS KILLED IN THE PLANE CRASH-- 163 00:08:13,694 --> 00:08:15,996 THE SAME ONE THAT INJURED ORSON. 164 00:08:15,996 --> 00:08:18,999 YOU MUST FEEL TERRIBLY GUILTY ABOUT THIS. 165 00:08:18,999 --> 00:08:22,272 I CAN'T EAT. I CAN'T SLEEP. 166 00:08:22,272 --> 00:08:25,205 THAT'S WHY I WANTED YOU TO COME OVER HERE. 167 00:08:25,205 --> 00:08:29,139 I HAVE TO DO SOMETHING TO MAKE THIS RIGHT. 168 00:08:29,139 --> 00:08:32,142 WELL, SEEMS TO ME THE FIRST STEP IS FOR YOU AND ORSON 169 00:08:32,142 --> 00:08:34,645 TO GET INTO OUR MARRIAGE OUTREACH PROGRAM. 170 00:08:34,645 --> 00:08:37,548 OH, IT'S TOO LATE FOR THAT. WE'RE ABOUT TO GET A DIVORCE. 171 00:08:37,548 --> 00:08:41,121 YES, BUT THIS WAS BEFORE ORSON WAS IN A WHEELCHAIR, RIGHT? 172 00:08:41,121 --> 00:08:42,993 WELL, YES. 173 00:08:42,993 --> 00:08:46,557 I THINK YOU KNOW WHAT YOU NEED TO DO TO ATONE FOR THIS SIN. 174 00:08:46,557 --> 00:08:49,560 I THINK YOU KNEW IT BEFORE I WALKED IN THE DOOR. 175 00:08:49,560 --> 00:08:53,133 YOU WANT ME TO BRING ORSON HOME AND TAKE CARE OF HIM? 176 00:08:55,065 --> 00:08:57,207 (whispers) IT'S JUST THAT I'M NOT SURE 177 00:08:57,207 --> 00:08:59,269 THAT I LOVE HIM ANYMORE. 178 00:08:59,269 --> 00:09:01,672 BREE... (dish clatters) 179 00:09:01,672 --> 00:09:05,175 THERE'S A QUOTE I'VE ALWAYS LOVED. 180 00:09:05,175 --> 00:09:09,680 "YOU CANNOT MAKE YOURSELF FEEL SOMETHING THAT YOU DO NOT FEEL, 181 00:09:09,680 --> 00:09:11,882 "BUT YOU CAN MAKE YOURSELF DO RIGHT 182 00:09:11,882 --> 00:09:13,884 IN SPITE OF YOUR FEELINGS." 183 00:09:13,884 --> 00:09:16,286 I DON'T REMEMBER THAT FROM THE BIBLE. 184 00:09:16,286 --> 00:09:17,988 IT'S FROM PEARL BUCK. 185 00:09:17,988 --> 00:09:20,160 I AM ALLOWED TO READ OTHER BOOKS, YOU KNOW. 186 00:09:20,160 --> 00:09:23,794 (chuckles) BREE, NO MATTER WHAT YOU FEEL ABOUT ORSON, 187 00:09:23,794 --> 00:09:25,766 IF YOU DON'T HELP HIM NOW, 188 00:09:25,766 --> 00:09:29,139 YOU WON'T BE ABLE TO LIVE WITH YOURSELF. 189 00:09:29,139 --> 00:09:32,172 FINE. 190 00:09:32,172 --> 00:09:34,805 I'LL TELL ORSON TOMORROW, 191 00:09:34,805 --> 00:09:36,807 AND I'LL BRING HIM HOME. 192 00:09:36,807 --> 00:09:38,679 GOOD. 193 00:09:38,679 --> 00:09:39,880 MMM! 194 00:09:39,880 --> 00:09:41,882 I THINK YOU'VE HAD ENOUGH. 195 00:09:45,085 --> 00:09:46,156 (loud zip) 196 00:09:46,156 --> 00:09:49,720 (Danny) JULIE! HOLD UP. HEY. WHAT'S GOING ON? 197 00:09:49,720 --> 00:09:52,162 EDDIE'S DOING STAND-UP AT THE CHUCKLE ZONE 198 00:09:52,162 --> 00:09:54,725 ON OPEN MIKE NIGHT. 199 00:09:54,725 --> 00:09:57,197 STAND-UP? AS IN COMEDY? 200 00:09:57,197 --> 00:10:00,170 WELL, PEOPLE ARE ALWAYS TELLING ME HOW FUNNY I AM, 201 00:10:00,170 --> 00:10:03,173 SO I DECIDED TO GIVE THE PEOPLE WHAT THEY WANT. (mouths word) 202 00:10:03,173 --> 00:10:06,006 DON'T MISS OUT. I GOT THIS WHOLE RIFF ABOUT AIRLINE FOOD. 203 00:10:06,006 --> 00:10:08,008 IT'S GONNA KILL. (chuckles nervously) 204 00:10:08,008 --> 00:10:10,280 HEY, PORTER! HOLD UP! 205 00:10:10,280 --> 00:10:12,643 WHEN PEOPLE TELL HIM HE'S FUNNY, DOESN'T HE REALIZE 206 00:10:12,643 --> 00:10:16,116 THEY'RE BEING FUNNY? TELL ME YOU'RE GOING. I CAN'T BE THE ONLY ONE THERE. 207 00:10:16,116 --> 00:10:19,750 I'LL--I'LL TRY. I, UH, I ACTUALLY GOTTA PACK. 208 00:10:19,750 --> 00:10:21,752 MY DAD LEFT ME SOME MONEY, 209 00:10:21,752 --> 00:10:25,125 SO I'M GOING BACK EAST TO SEE MY COUSINS. FOR HOW LONG? 210 00:10:25,125 --> 00:10:29,029 UNTIL THEY CATCH THE GUY WHO ATTACKED ME, 211 00:10:29,029 --> 00:10:31,131 I JUST DON'T FEEL SAFE HERE. 212 00:10:31,131 --> 00:10:34,935 I GET THAT. HMM. 213 00:10:36,636 --> 00:10:39,139 I'VE BEEN WANTING TO ASK YOU SOMETHING. 214 00:10:39,139 --> 00:10:41,942 I-I HEARD YOU WERE IN THE HOSPITAL 215 00:10:41,942 --> 00:10:44,144 BECAUSE OF AN OVERDOSE. 216 00:10:46,076 --> 00:10:47,878 YOU DIDN'T DO THAT 217 00:10:47,878 --> 00:10:50,120 BECAUSE OF... 218 00:10:50,120 --> 00:10:53,383 I WAS DEALING WITH A LOT OF STUFF-- 219 00:10:53,383 --> 00:10:56,857 PROBLEMS WITH MY PARENTS, HAVING TO MOVE AGAIN. 220 00:10:56,857 --> 00:10:59,259 I GOT REALLY LONELY. 221 00:10:59,259 --> 00:11:02,292 AND YEAH, I GUESS YOU WERE PART OF IT. 222 00:11:05,165 --> 00:11:07,367 I'M BETTER NOW. 223 00:11:07,367 --> 00:11:10,440 GOOD. 224 00:11:10,440 --> 00:11:13,804 LIFE HAS ITS LOW POINTS, AND WE JUST HAVE TO DEAL WITH THEM. 225 00:11:13,804 --> 00:11:17,007 SPEAKING OF WHICH, 226 00:11:17,007 --> 00:11:19,079 HOW DO WE GET OUT OF THIS? 227 00:11:21,381 --> 00:11:24,414 WELL, YOUR TIMING IS IMPECCABLE, 228 00:11:24,414 --> 00:11:28,458 BECAUSE IT JUST SO HAPPENS THAT WE HAVE AN OPENING RIGHT NOW. 229 00:11:28,458 --> 00:11:31,161 YES, WE HEARD, AND WE'RE SO EXCITED. 230 00:11:31,161 --> 00:11:34,694 EVERYONE KNOWS THAT THIS IS THE BEST PRIVATE SCHOOL IN TOWN. 231 00:11:34,694 --> 00:11:37,097 IT SAYS HERE THAT YOU HAVE BEEN HOMESCHOOLING JUANITA. 232 00:11:37,097 --> 00:11:39,699 HOW'S THAT BEEN GOING? 233 00:11:39,699 --> 00:11:43,133 IT'S BEEN SO REWARDING SPENDING TIME WITH MY LITTLE ANGEL. 234 00:11:43,133 --> 00:11:46,877 (chuckles) IT BREAKS MY HEART TO SEE IT END. 235 00:11:46,877 --> 00:11:48,879 ANYWAY, HERE'S HER LUNCH. IT'S ALL PACKED. 236 00:11:48,879 --> 00:11:51,011 AND WE'LL PICK HER UP AT 4:00. 237 00:11:51,011 --> 00:11:52,843 UH, W-WAIT--WAIT JUST A SECOND. 238 00:11:52,843 --> 00:11:57,948 THERE ARE A FEW OTHER FAMILIES ON THE WAITING LIST BEFORE YOU. 239 00:11:57,948 --> 00:12:01,291 OH, THERE ARE? 240 00:12:01,291 --> 00:12:05,725 YES, BUT SUSAN DELFINO GAVE YOU SUCH A GLOWING RECOMMENDATION. 241 00:12:05,725 --> 00:12:07,227 AND TO BE QUITE FRANK, 242 00:12:07,227 --> 00:12:10,230 WE COULD USE A LITTLE MORE DIVERSITY IN THIS SCHOOL. 243 00:12:10,230 --> 00:12:12,232 IT'S BEEN QUITE A LONG TIME 244 00:12:12,232 --> 00:12:14,734 SINCE WE'VE HAD A LITTLE GIRL OF MEXICAN DESCENT. 245 00:12:14,734 --> 00:12:17,737 (Gabrielle chuckles) AH, WELL, WE ARE VERY PROUD OF OUR HERITAGE... 246 00:12:17,737 --> 00:12:20,911 (Gabrielle) MM. BUT JUANITA CAN STAND ON HER OWN MERITS. 247 00:12:20,911 --> 00:12:23,213 SHE'S VERY BRIGHT. AND I KNOW I'M BIASED, 248 00:12:23,213 --> 00:12:26,076 BUT I DO THINK SHE'S A BUDDING YOUNG GENIUS. 249 00:12:26,076 --> 00:12:28,248 I'M MEXICAN? 250 00:12:31,181 --> 00:12:34,184 (chuckles) HONEY, WHAT DID YOU JUST SAY? 251 00:12:34,184 --> 00:12:36,026 HE CALLED ME MEXICAN. 252 00:12:36,026 --> 00:12:38,458 YOU ARE MEXICAN, HONEY. YOU KNOW THAT. 253 00:12:38,458 --> 00:12:41,231 (chuckles nervously) SINCE WHEN? I THOUGHT WE WERE AMERICAN. 254 00:12:43,093 --> 00:12:46,837 YES, BUT OUR ANCESTORS CAME FROM MéXICO. 255 00:12:46,837 --> 00:12:48,168 (chuckles nervously) 256 00:12:48,168 --> 00:12:50,170 REALLY? SO WE'RE LIKE THOSE PEOPLE 257 00:12:50,170 --> 00:12:54,144 WHO SELL ORANGES ON THE SIDE OF THE ROAD? 258 00:12:54,144 --> 00:12:56,106 YOU'RE BUSY. WE SHOULD GO. 259 00:12:56,106 --> 00:12:58,548 THANK YOU SO VERY MUCH FOR YOUR TIME. 260 00:12:58,548 --> 00:13:01,481 AND, UH, AGAIN, WE REALLY WANT TO JOIN YOU HERE 261 00:13:01,481 --> 00:13:05,285 AND HELP YOU WITH THAT DIVERSITY THING, SO JUST LET US KNOW. 262 00:13:05,285 --> 00:13:09,089 (Gabrielle whispers) JUST SAY IT. (Juanita) I DON'T EVEN KNOW WHAT THAT MEANS. 263 00:13:09,089 --> 00:13:10,460 (normal voice) JUST SAY IT! 264 00:13:10,460 --> 00:13:14,064 ADIóS, SEÑOR. 265 00:13:22,202 --> 00:13:25,075 (footsteps approach, rattle) 266 00:13:25,075 --> 00:13:26,406 THIS IS FINE. 267 00:13:26,406 --> 00:13:29,079 THANK YOU. 268 00:13:29,079 --> 00:13:31,882 THANK YOU FOR AGREEING TO SEE ME. 269 00:13:31,882 --> 00:13:35,185 I CALLED A FEW TIMES, BUT YOU, UH, DIDN'T PICK UP. 270 00:13:35,185 --> 00:13:37,287 I HAD NO IDEA. 271 00:13:37,287 --> 00:13:41,121 MY PHONE WAS IN MY PANTS POCKET, AND I HAD IT ON VIBRATE. 272 00:13:41,121 --> 00:13:44,054 AND AS YOU MAY HAVE NOTICED, I... 273 00:13:45,896 --> 00:13:48,258 SO HOW'S REHAB? 274 00:13:48,258 --> 00:13:49,459 PAINFUL. 275 00:13:49,459 --> 00:13:52,302 WELL, THE DOCTOR SAYS WITH A LOT OF HARD WORK, 276 00:13:52,302 --> 00:13:54,564 YOU MAYBE BE ABLE TO WALK AGAIN SOMEDAY. 277 00:13:54,564 --> 00:13:56,566 YES, THEY'RE VERY UPBEAT AND OPTIMISTIC. 278 00:13:56,566 --> 00:13:59,469 I WANT TO RUN THEM OVER WITH THIS CHAIR. 279 00:13:59,469 --> 00:14:01,471 SO... 280 00:14:01,471 --> 00:14:03,843 WHY ARE YOU HERE? 281 00:14:03,843 --> 00:14:06,146 WELL, I KNOW WE'VE BEEN THROUGH A LOT LATELY, 282 00:14:06,146 --> 00:14:09,149 BUT I DECIDED IT WOULD BE BEST FOR YOU TO COME HOME 283 00:14:09,149 --> 00:14:13,053 SO I CAN TAKE CARE OF YOU. 284 00:14:13,053 --> 00:14:16,386 YES, I'D RATHER BE CARED FOR BY A FLATULENT HELPER MONKEY. 285 00:14:16,386 --> 00:14:19,960 ORSON, I KNOW YOU'RE ANGRY, BUT I'M STILL YOUR WIFE. WELL, APPARENTLY WE HAVE 286 00:14:19,960 --> 00:14:21,962 VERY DIFFERENT DEFINITIONS OF THE WORD "WIFE." 287 00:14:21,962 --> 00:14:24,965 I AM PROCEEDING WITH THE DIVORCE. I DON'T UNDERSTAND. 288 00:14:24,965 --> 00:14:27,137 THREE WEEKS AGO YOU WERE BEGGING ME FOR ANOTHER CHANCE. 289 00:14:27,137 --> 00:14:28,868 WHAT HAPPENED? 290 00:14:28,868 --> 00:14:31,401 KARL MAYER HAPPENED. 291 00:14:31,401 --> 00:14:33,103 I COULD FORGIVE YOU 292 00:14:33,103 --> 00:14:35,345 IF YOU BETRAYED ME WITH ANYONE REMOTELY ADMIRABLE, 293 00:14:35,345 --> 00:14:37,047 BUT YOU CHOSE 294 00:14:37,047 --> 00:14:39,149 THE MOST CONTEMPTIBLE MAN I HAVE EVER KNOWN. 295 00:14:39,149 --> 00:14:41,181 NO, BREE, 296 00:14:41,181 --> 00:14:44,284 I DO NOT NEED YOU. 297 00:14:51,191 --> 00:14:52,963 (sighs deeply) 298 00:14:54,324 --> 00:14:56,496 I'M HAVING A RAMP BUILT AT THE HOUSE, 299 00:14:56,496 --> 00:14:59,099 AND I'VE TURNED THE DOWNSTAIRS STUDY INTO YOUR BEDROOM. 300 00:14:59,099 --> 00:15:01,301 YOU'RE COMING HOME WHERE YOU BELONG, 301 00:15:01,301 --> 00:15:03,303 AND THAT'S ALL THERE IS TO IT. 302 00:15:03,303 --> 00:15:06,606 YOU CAN START FORGIVING ME, AND I'LL START FORGIVING YOU. 303 00:15:06,606 --> 00:15:09,940 (woman speaking indistinctly over P.A.) 304 00:15:09,940 --> 00:15:13,984 I SUGGEST YOU START FIRST. 305 00:15:16,286 --> 00:15:19,289 I DON'T UNDERSTAND. HOW COULD YOU NOT KNOW YOU'RE MEXICAN? 306 00:15:19,289 --> 00:15:21,151 WE EAT MEXICAN FOOD ALL THE TIME. 307 00:15:21,151 --> 00:15:24,224 WE EAT CHINESE FOOD, TOO. DOES THAT MEAN I'M CHINESE? 308 00:15:24,224 --> 00:15:28,598 NO, THAT JUST MEANS YOUR MOTHER HATES TO COOK. 309 00:15:32,162 --> 00:15:35,165 WELL, APPARENTLY, WE HAVE TO SPELL EVERYTHING OUT FOR YOU. 310 00:15:35,165 --> 00:15:38,008 YOU DO KNOW YOU'RE A GIRL, RIGHT? GABY. 311 00:15:38,008 --> 00:15:40,010 WHAT? HALF THE WOMEN IN YOUR FAMILY HAVE MUSTACHES. 312 00:15:40,010 --> 00:15:41,972 IT COULD BE VERY CONFUSING. (sighs) 313 00:15:44,344 --> 00:15:47,017 JUANITA, GO INSIDE AND PLAY WITH YOUR SISTER. 314 00:15:47,017 --> 00:15:50,180 AND WHILE YOU'RE AT IT, TELL HER SHE'S MEXICAN, TOO! 315 00:15:52,382 --> 00:15:54,384 (sighs and whispers) I CAN'T BELIEVE IT. 316 00:15:54,384 --> 00:15:57,257 (normal voice) WE HAD THAT SCHOOL RIGHT IN OUR HANDS. 317 00:15:57,257 --> 00:16:01,331 HOW COULD WE LET IT GET AWAY? THE BIGGER QUESTION IS HOW DID WE LET OUR DAUGHTER 318 00:16:01,331 --> 00:16:03,963 GROW UP THINKING SHE'S WHITE? HEY, MR. AND MRS. SOLIS. 319 00:16:03,963 --> 00:16:05,435 HEY, PARKER. 320 00:16:21,351 --> 00:16:22,682 HEY. SORRY I'M LATE. 321 00:16:22,682 --> 00:16:25,685 I HAD TO PICK UP SOME LUMBER TO BUILD THAT RAMP FOR ORSON. 322 00:16:25,685 --> 00:16:27,687 OH, WHAT A GOOD PERSON YOU ARE. 323 00:16:27,687 --> 00:16:30,390 HEY, I NEED TO PAY THE PAPERBOY TOMORROW. 324 00:16:30,390 --> 00:16:34,094 DO YOU HAVE ANY CASH? I THINK I HAVE A $20 ON ME. 325 00:16:36,296 --> 00:16:38,468 WOULDN'T YOU RATHER... 326 00:16:38,468 --> 00:16:40,330 STICK IT IN HERE? 327 00:16:40,330 --> 00:16:43,033 COULDN'T WE JUST LEAVE IT IN THE MAILBOX, 328 00:16:43,033 --> 00:16:45,105 LIKE WE USUALLY DO? OH, I JUST THOUGHT 329 00:16:45,105 --> 00:16:47,677 THAT'S THE WAY YOU DO IT DOWN AT DOUBLE D's. 330 00:16:47,677 --> 00:16:51,111 DOUBLE D's? YEAH, TURNS OUT KARL WAS A PART OWNER 331 00:16:51,111 --> 00:16:53,113 AND LEFT ME HIS SHARE. 332 00:16:53,113 --> 00:16:54,614 BY THE WAY, 333 00:16:54,614 --> 00:16:57,347 "DESTINY" SAYS HELLO. 334 00:16:57,347 --> 00:17:01,251 OKAY. I SEE WHERE YOU'RE GOING WITH THIS. 335 00:17:01,251 --> 00:17:02,592 DO YOU, MIKE DELFINO? 336 00:17:02,592 --> 00:17:04,654 THAT'S WHAT SHE CALLS YOU, YOU KNOW. 337 00:17:04,654 --> 00:17:07,357 BECAUSE THAT'S MY NAME. 338 00:17:07,357 --> 00:17:10,260 NO ONE HANGING FROM A POLE SHOULD KNOW YOUR NAME. 339 00:17:10,260 --> 00:17:12,732 SUSAN, THAT PLACE IS ONE OF MY ACCOUNTS. 340 00:17:12,732 --> 00:17:14,334 I'M THEIR PLUMBER. 341 00:17:14,334 --> 00:17:16,066 AND THAT'S IT? 342 00:17:16,066 --> 00:17:19,038 YOU GO THERE JUST TO DO THE PLUMBING AND NOTHING ELSE? WELL-- 343 00:17:19,038 --> 00:17:22,272 LIAR! DESTINY SAID YOU HAD A BEER THERE THE OTHER NIGHT. 344 00:17:22,272 --> 00:17:23,413 OKAY. 345 00:17:23,413 --> 00:17:27,217 SOMETIMES WHEN I FINISH THE JOB, I'LL HAVE A BEER. 346 00:17:27,217 --> 00:17:30,250 AND YOU NEVER LOOK AT THE GIRLS? 347 00:17:30,250 --> 00:17:33,523 IT'S--IT'S--IT'S COMPLETELY INNOCENT. 348 00:17:33,523 --> 00:17:36,126 I-I-I DON'T BUY THAT. 349 00:17:36,126 --> 00:17:38,758 I WANT TO SEE THE "COMPLETELY INNOCENT" LOOK YOU HAVE 350 00:17:38,758 --> 00:17:41,261 WHEN DESTINY SHAKES HER TASSELS IN YOUR FACE. 351 00:17:41,261 --> 00:17:44,063 OKAY, SO I'VE GONE TO A STRIP CLUB. 352 00:17:44,063 --> 00:17:47,267 ARE WE GONNA LAUGH ABOUT THIS, OR YOU GONNA MAKE IT A THING? 353 00:17:47,267 --> 00:17:50,540 WELL, I AM LEANING TOWARDS "THING." FINE. IF IT BOTHERS YOU THAT MUCH, 354 00:17:50,540 --> 00:17:53,543 NEXT TIME I FINISH A JOB THERE, I'LL COME RIGHT HOME. 355 00:17:53,543 --> 00:17:55,545 OH, YOU DON'T HAVE TO WORRY, 356 00:17:55,545 --> 00:17:59,449 BECAUSE YOU WILL NOT BE WORKING THERE ANYMORE. I FORBID IT. 357 00:17:59,449 --> 00:18:01,811 YOU FORBID IT? 358 00:18:01,811 --> 00:18:05,255 (sighs) WHAT KIND OF MARRIAGE IS THIS? 359 00:18:05,255 --> 00:18:08,758 THE KIND WHERE THE HUSBAND WANTS TO LOOK AT STRIPPERS 360 00:18:08,758 --> 00:18:11,261 AND THE WIFE FORBIDS IT. 361 00:18:11,261 --> 00:18:13,163 SUSAN, I LOVE YOU. 362 00:18:13,163 --> 00:18:17,197 I HAVE NEVER CHEATED ON YOU AND I NEVER WILL. 363 00:18:17,197 --> 00:18:21,371 BUT YOU'RE NOT GONNA TELL ME WHAT I CAN OR CAN'T DO. 364 00:18:21,371 --> 00:18:23,373 (door closes) 365 00:18:23,373 --> 00:18:25,835 LET ME GET THIS STRAIGHT-- 366 00:18:25,835 --> 00:18:28,838 YOU FORBID MIKE FROM GOING TO A STRIP CLUB? 367 00:18:28,838 --> 00:18:30,840 I KNOW IT WAS A LITTLE HEAVY-HANDED, 368 00:18:30,840 --> 00:18:33,843 BUT I JUST CAN'T STAND THOSE PLACES. OH, WHAT'S THE BIG WHOOP? 369 00:18:33,843 --> 00:18:36,516 CARLOS TAKES CLIENTS TO THE STRIP CLUB ALL THE TIME. 370 00:18:36,516 --> 00:18:39,289 I'VE BEEN TO ONE-- THE ASS MENAGERIE. 371 00:18:39,289 --> 00:18:41,821 IT WAS MY BROTHER'S BACHELOR PARTY. 372 00:18:41,821 --> 00:18:44,594 THIS STRIPPER NAMED CINNAMON GAVE ME A LAP DANCE. 373 00:18:44,594 --> 00:18:46,696 LUCKILY, IF I SQUINTED JUST ENOUGH, 374 00:18:46,696 --> 00:18:49,459 SHE LOOKED LIKE A YOUNG RICKY SCHRODER. 375 00:18:49,459 --> 00:18:52,462 SEE, THIS IS THE REASON MEN GO TO THOSE PLACES-- 376 00:18:52,462 --> 00:18:56,366 SO THEY CAN FANTASIZE. WE ALL DO IT. YOU FANTASIZE ABOUT OTHER MEN WHEN YOU'RE WITH CARLOS? 377 00:18:56,366 --> 00:18:58,508 HONEY, CARLOS HAS BEEN SO MANY DIFFERENT MEN, 378 00:18:58,508 --> 00:19:02,312 I'M ACTUALLY SURPRISED WHEN I OPEN MY EYES AND IT'S CARLOS. (laughs) 379 00:19:02,312 --> 00:19:04,844 WANT TO KNOW WHO I FANTASIZE ABOUT? 380 00:19:04,844 --> 00:19:07,317 NO, NOT NECESSARILY. ANYONE WANT MORE WINE? 381 00:19:07,317 --> 00:19:08,578 TOM SCAVO. 382 00:19:08,578 --> 00:19:10,380 (whispers) WINE NOW. 383 00:19:10,380 --> 00:19:12,352 4th OF JULY BARBECUE. 384 00:19:12,352 --> 00:19:13,923 THOSE TAN SHORTS. 385 00:19:13,923 --> 00:19:16,326 OH, I AM THERE RIGHT NOW. OOH! 386 00:19:16,326 --> 00:19:20,230 OKAY, COULD WE PLEASE GET BACK TO THE ISSUE AT HAND? 387 00:19:20,230 --> 00:19:21,531 LOOK, BOTTOM LINE IS 388 00:19:21,531 --> 00:19:24,534 YOU CANNOT FORBID A MAN TO GO TO STRIP CLUBS. 389 00:19:24,534 --> 00:19:27,367 AND DON'T EXPECT HIM TO UNDERSTAND WHY IT BOTHERS YOU. 390 00:19:27,367 --> 00:19:30,300 THAT'S JUST THE WAY THEY ARE. RIGHT? 391 00:19:30,300 --> 00:19:32,742 SORRY. I WAS JUST IMAGINING RICKY SCHRODER... 392 00:19:32,742 --> 00:19:36,206 WEARING TOM SCAVO'S SHORTS. 393 00:19:36,206 --> 00:19:37,377 (clink) 394 00:19:49,619 --> 00:19:52,292 ARE YOU SURE YOU WANT TO JUST GIVE AWAY YOUR CDs? 395 00:19:52,292 --> 00:19:54,624 THE MORE YOU TAKE, THE LESS I HAVE TO PACK. 396 00:19:54,624 --> 00:19:57,627 IN FACT, IS THERE ANYTHING ELSE YOU WANT? ANYTHING? 397 00:19:57,627 --> 00:20:01,631 OKAY. HOW ABOUT... DANNY BOLEN? 398 00:20:01,631 --> 00:20:04,504 UH, HE'S NOT REALLY MINE TO GIVE. 399 00:20:04,504 --> 00:20:07,237 COME ON. HE'S TOTALLY INTO YOU, 400 00:20:07,237 --> 00:20:09,639 WHICH IS A COMPLETE MYSTERY TO ME. 401 00:20:09,639 --> 00:20:12,382 YOU KNOW WHAT? I THINK I'M JUST GONNA KEEP MY CDs. 402 00:20:12,382 --> 00:20:14,284 OKAY, I-I DIDN'T MEAN IT LIKE THAT. 403 00:20:14,284 --> 00:20:17,216 IT'S JUST YOU DON'T SEEM INTERESTED, 404 00:20:17,216 --> 00:20:20,550 AND I HAVE SENT EVERY SIGNAL I CAN THINK OF. WHY ARE YOU SO HUNG UP ON DANNY? 405 00:20:20,550 --> 00:20:22,392 HELLO. HE'S HOT. 406 00:20:22,392 --> 00:20:24,524 OKAY, HERE'S THE THING-- 407 00:20:24,524 --> 00:20:27,927 DANNY'S IN KIND OF A FRAGILE PLACE RIGHT NOW. 408 00:20:27,927 --> 00:20:31,431 HE REALLY DOESN'T NEED TO GET HIS HEART BROKEN. 409 00:20:31,431 --> 00:20:34,404 I'M NOT GONNA SNAG HIM JUST TO TOSS HIM ASIDE. 410 00:20:34,404 --> 00:20:36,366 I DON'T USE PEOPLE, JULIE. 411 00:20:36,366 --> 00:20:40,009 OKAY, I USED SOME PEOPLE. 412 00:20:40,009 --> 00:20:42,272 BUT I WOULDN'T USE HIM. 413 00:20:43,943 --> 00:20:45,475 ARE YOU SURE? 414 00:20:45,475 --> 00:20:47,977 YEAH. I THINK WE HAVE A LOT IN COMMON, 415 00:20:47,977 --> 00:20:52,251 AND IF HE'D JUST SPEND A LITTLE TIME WITH ME, HE'D REALIZE THAT. 416 00:20:55,425 --> 00:20:56,986 YOU LIKE STAND-UP COMEDY? 417 00:20:56,986 --> 00:20:58,328 YEAH. 418 00:20:58,328 --> 00:21:00,530 TOO BAD. WE'RE GONNA GO SEE EDDIE. 419 00:21:05,995 --> 00:21:07,697 HEY, HONEY. HEY. 420 00:21:07,697 --> 00:21:09,699 SORRY I'M LATE. 421 00:21:09,699 --> 00:21:11,401 HOW WAS WORK? 422 00:21:11,401 --> 00:21:12,842 CRAZY. (chuckles) 423 00:21:12,842 --> 00:21:15,375 I HAD THREE CONFERENCE CALLS 424 00:21:15,375 --> 00:21:17,477 AND A 2-HOUR CLIENT MEETING WITH GARY DANNER. 425 00:21:17,477 --> 00:21:19,779 OH. MM. HOW WAS YOUR DAY? 426 00:21:19,779 --> 00:21:21,381 EVEN CRAZIER. 427 00:21:21,381 --> 00:21:24,314 I PEED TWICE IN EVERY BATHROOM IN THE HOUSE. 428 00:21:24,314 --> 00:21:26,656 WHAT'S THAT? 429 00:21:26,656 --> 00:21:30,790 OH, LITTLE MATCHING OUTFITS FOR THE TWINS THAT PEOPLE GAVE US. 430 00:21:30,790 --> 00:21:32,792 I THOUGHT I'D GIVE THEM TO CHARITY. 431 00:21:32,792 --> 00:21:36,626 I RAN INTO THE PETERSONS TODAY. 432 00:21:36,626 --> 00:21:39,499 THEY JUST HEARD, WANTED TO SEE HOW YOU WERE. 433 00:21:39,499 --> 00:21:41,701 MM. 434 00:21:41,701 --> 00:21:43,773 SO GARY DANNER-- 435 00:21:43,773 --> 00:21:46,476 HE'S A PRICKLY S.O.B. 436 00:21:47,877 --> 00:21:49,609 TELL ME ABOUT IT. 437 00:21:49,609 --> 00:21:52,311 CHECK OUT THIS PROPOSAL I WORKED UP FOR HIM. 438 00:21:55,314 --> 00:21:56,386 HMM. 439 00:21:56,386 --> 00:21:58,988 WHAT DO YOU MEAN, "HMM"? 440 00:21:58,988 --> 00:22:01,491 I'M GLAD YOU SHOWED THIS TO ME. I KNOW DANNER. 441 00:22:01,491 --> 00:22:05,395 AND TRUST ME, YOU DO NOT WANT TO GO DOWN THIS ROAD. WHY NOT? 442 00:22:05,395 --> 00:22:08,027 DON'T WORRY. I CAN FIX IT. WHERE'S A PEN? WAIT, HONEY, A-ACTUALLY... 443 00:22:08,027 --> 00:22:11,461 I SHOWED IT TO DANNER TODAY. HE LOVED IT. 444 00:22:11,461 --> 00:22:13,763 GARY DANNER LIKED THIS? 445 00:22:13,763 --> 00:22:15,765 NO, HE LOVED IT, 446 00:22:15,765 --> 00:22:18,768 BUT NOT AS MUCH AS CARLOS. HE TOLD ME IT WAS 447 00:22:18,768 --> 00:22:21,941 THE BEST WRITTEN PROPOSAL HE HAS EVER SEEN, BAR NONE. 448 00:22:21,941 --> 00:22:24,644 WHAT'S FOR DINNER? 449 00:22:24,644 --> 00:22:26,115 MEAT LOAF. 450 00:22:26,115 --> 00:22:27,417 MMM. 451 00:22:29,819 --> 00:22:31,421 WHAT'S WRONG? 452 00:22:31,421 --> 00:22:34,554 NOTHING. IT'S J--WELL, THAT'S QUITE A COMPLIMENT. 453 00:22:34,554 --> 00:22:38,558 YEAH. NOT TO MENTION A BIT OF A SLAM ON THE WORK THAT I DID. 454 00:22:38,558 --> 00:22:40,890 (mouth full) HONEY, HE'S JUST ENCOURAGING ME. 455 00:22:40,890 --> 00:22:44,363 I DON'T THINK HE WAS THINKING ABOUT YOU AT ALL. OH. OKAY. 456 00:22:44,363 --> 00:22:47,036 BY THE WAY, THIS MEAT LOAF-- 457 00:22:47,036 --> 00:22:50,039 THE BEST I HAVE EVER TASTED. 458 00:22:50,039 --> 00:22:51,541 BAR NONE? HMM? 459 00:22:51,541 --> 00:22:53,142 JUST EAT. 460 00:22:58,748 --> 00:23:01,010 (door creaks) 461 00:23:01,010 --> 00:23:03,082 WOW. IT'S COMING ALONG BEAUTIFULLY. 462 00:23:03,082 --> 00:23:05,815 THANKS. SO, UH, WHEN'S ORSON COMING HOME? 463 00:23:05,815 --> 00:23:09,959 OH, UH, IT'S STILL A BIT UP IN THE AIR. 464 00:23:09,959 --> 00:23:13,463 BUT I GUESS NOW WOULD BE A GOOD TIME TO CALL HIM 465 00:23:13,463 --> 00:23:16,466 AND LET HIM KNOW WE'RE ALMOST READY. (beep) 466 00:23:16,466 --> 00:23:19,999 UH, YES. ORSON HODGE'S ROOM, PLEASE. 467 00:23:19,999 --> 00:23:22,472 WOULD YOU STOP HAMMERING FOR A MOMENT? 468 00:23:24,974 --> 00:23:26,706 HE CHECKED OUT? 469 00:23:26,706 --> 00:23:30,510 BUT THAT'S IMPOSSIBLE. WHERE WOULD HE HAVE GONE? (hammering in distance) 470 00:23:30,510 --> 00:23:33,142 MIKE, PLEASE. IT'S NOT ME. 471 00:23:36,846 --> 00:23:39,118 NEVER MIND. I THINK I FOUND HIM. 472 00:23:39,118 --> 00:23:41,020 (beep) 473 00:23:43,122 --> 00:23:47,156 OH, BOY. THE FAT'S IN THE FIRE NOW. 474 00:23:47,156 --> 00:23:49,499 WHAT IS GOING ON HERE? 475 00:23:49,499 --> 00:23:51,901 THE HUSBAND YOU'RE DIVORCING HAS FOUND NEW DIGS. 476 00:23:51,901 --> 00:23:54,133 BEFORE YOU JUMP DOWN MY THROAT-- 477 00:23:54,133 --> 00:23:56,135 ROY AND I ARE ON FIXED INCOMES. 478 00:23:56,135 --> 00:23:58,638 YOU CAN'T BLAME US FOR TAKING IN A BOARDER, 479 00:23:58,638 --> 00:24:02,742 ESPECIALLY ONE WHO CAN'T GET TO THE SECOND STORY. THAT'S OUR NAKED FLOOR. 480 00:24:10,179 --> 00:24:12,181 WHAT ARE YOU DOING HERE? 481 00:24:12,181 --> 00:24:15,224 ENJOYING MY NEW HOME. 482 00:24:15,224 --> 00:24:17,487 IT'S RATHER QUAINT, 483 00:24:17,487 --> 00:24:20,189 ONCE YOU GET USED TO THE SMELL OF DENTURE CREAM AND SCOTCH. 484 00:24:22,692 --> 00:24:24,734 OH, DON'T MIND ME. 485 00:24:24,734 --> 00:24:28,738 JUST MAKING SURE YOU DON'T SLAP A GUY IN A WHEELCHAIR. 486 00:24:28,738 --> 00:24:32,742 SO HOW ARE YOU PLANNING TO PAY YOUR RENT? 487 00:24:32,742 --> 00:24:34,744 WELL, I'M A BIT CASH-STRAPPED AT THE MOMENT, 488 00:24:34,744 --> 00:24:37,476 BUT KAREN KNOWS I'M GOOD FOR IT. 489 00:24:37,476 --> 00:24:39,609 YEAH, ONCE HE GETS HIS DIVORCE SETTLEMENT, 490 00:24:39,609 --> 00:24:42,481 HE'S WRITING ME A BIG, FAT CHECK. 491 00:24:42,481 --> 00:24:45,254 SO HOW LONG ARE WE TALKING? A MONTH, TWO? 492 00:24:45,254 --> 00:24:48,487 THERE WILL BE NO DIVORCE, AND IF HE TRIES TO FILE FOR ONE, 493 00:24:48,487 --> 00:24:51,160 THERE WILL BE DELAYS, MOTIONS AND APPEALS. 494 00:24:51,160 --> 00:24:55,064 IT COULD TAKE YEARS FOR HIM TO EVER SEE A DIME. 495 00:24:57,527 --> 00:24:59,629 YOUR WIFE LOVES YOU. GO HOME. 496 00:25:01,130 --> 00:25:04,574 BREE, STOP RIGHT NOW. DO YOU HEAR ME? 497 00:25:07,036 --> 00:25:09,539 SO AM I TAKING DOWN THE RAMP? 498 00:25:09,539 --> 00:25:10,880 LEAVE IT. 499 00:25:10,880 --> 00:25:13,182 YOU'LL NEED IT SOON ENOUGH. 500 00:25:13,182 --> 00:25:14,884 ALMOST HOME, DEAR. 501 00:25:14,884 --> 00:25:18,187 MIKE, CALL THE POLICE. MY WIFE IS HOLDING ME HOSTAGE! 502 00:25:18,187 --> 00:25:20,219 WE'VE ALL BEEN THERE, BIG GUY. 503 00:25:20,219 --> 00:25:22,051 (door slams) 504 00:25:31,661 --> 00:25:33,032 LYNETTE. 505 00:25:33,032 --> 00:25:36,035 I HAD AN APPOINTMENT WITH MY O.B. AROUND THE CORNER, 506 00:25:36,035 --> 00:25:39,308 AND I JUST THOUGHT I'D STOP BY AND SAY HI. OH. 507 00:25:39,308 --> 00:25:41,310 I ALSO WANTED TO THANK YOU 508 00:25:41,310 --> 00:25:45,214 FOR BEING SO NICE TO TOM, OUR LITTLE TEMP. 509 00:25:45,214 --> 00:25:47,316 HOW'S HE DOING? HE'S AMAZING. 510 00:25:49,849 --> 00:25:52,982 IT'S OKAY, CARLOS. YOU CAN TELL ME THE TRUTH. 511 00:25:52,982 --> 00:25:56,586 HE'S KNOCKING MY SOCKS OFF. EVERYBODY IS SO IMPRESSED. 512 00:25:56,586 --> 00:25:58,257 WELL, GOOD. 513 00:25:58,257 --> 00:26:00,229 GOOD, GOOD, GOOD. 514 00:26:00,229 --> 00:26:02,892 I'M SO PROUD OF HIM. 515 00:26:02,892 --> 00:26:05,995 BUT WHEN I DROP THIS KID, TOM'S OUT ON HIS ASS, RIGHT? 516 00:26:05,995 --> 00:26:07,266 EXCUSE ME? 517 00:26:07,266 --> 00:26:10,269 I LOVE HIM AND I'M GLAD HE'S DOING WELL HERE, 518 00:26:10,269 --> 00:26:12,271 BUT THIS IS MY JOB. 519 00:26:12,271 --> 00:26:15,274 AT SOME POINT, I'M GONNA WANT IT BACK. 520 00:26:15,274 --> 00:26:18,878 AND I SAY THAT AS THE WOMAN WHO DOVE IN FRONT 521 00:26:18,878 --> 00:26:21,350 OF A SPINNING PROPELLER TO SAVE YOUR CHILD'S LIFE. 522 00:26:21,350 --> 00:26:23,783 (chuckles) 523 00:26:23,783 --> 00:26:26,585 OF COURSE THIS IS YOUR JOB. 524 00:26:26,585 --> 00:26:30,119 AND YOU CAN HAVE IT BACK ANY TIME YOU WANT. 525 00:26:30,119 --> 00:26:31,160 (sighs) 526 00:26:31,160 --> 00:26:33,262 WELL, THAT'S ALL I NEEDED TO HEAR. 527 00:26:33,262 --> 00:26:36,365 IT'S JUST THAT I WAS UNDER THE IMPRESSION 528 00:26:36,365 --> 00:26:39,368 YOU WERE PLANNING TO STAY AT HOME WITH YOUR BABY. 529 00:26:42,632 --> 00:26:46,135 AND WHY WOULD YOU BE UNDER THAT IMPRESSION? 530 00:26:46,135 --> 00:26:48,738 THAT'S WHAT TOM SAID. 531 00:26:50,239 --> 00:26:53,913 WHAT EXACTLY DID TOM SAY? 532 00:26:53,913 --> 00:26:58,387 LYNETTE, I REALLY DON'T WANT TO GET IN THE MIDDLE OF THIS. 533 00:26:58,387 --> 00:27:00,619 CARLOS, I SAVED A MEMBER OF YOUR FAMILY. 534 00:27:00,619 --> 00:27:03,122 IT DOESN'T MEAN I CAN'T TAKE ANOTHER ONE OUT. 535 00:27:05,324 --> 00:27:07,697 (amplified voice) AND--AND-- AND YOU CAN TRAIN A DOG 536 00:27:07,697 --> 00:27:09,859 TO DO ALMOST ANYTHING, BUT YOU CAN'T DO, UM, 537 00:27:09,859 --> 00:27:11,831 YOU CAN'T DO WITH CATS AND... CATS. 538 00:27:11,831 --> 00:27:14,834 AND DID YOU EVER TRY TO GET A CAT TO FETCH? 539 00:27:14,834 --> 00:27:17,136 THEY'RE LIKE, YOU KNOW, THEY WON'T DO IT. 540 00:27:17,136 --> 00:27:21,070 STUPID CATS. AM I RIGHT, PEOPLE? (man coughs, clears throat) 541 00:27:21,070 --> 00:27:24,313 (chuckles nervously) WELL--WELL, HEY, YOU GUYS HAVE BEEN GREAT. 542 00:27:24,313 --> 00:27:25,815 GOOD NIGHT. 543 00:27:25,815 --> 00:27:27,847 GIVE IT UP FOR EDDIE ORLOFSKY! (laughter) 544 00:27:27,847 --> 00:27:30,319 (claps) (man) COME ON, FOLKS! 545 00:27:30,319 --> 00:27:31,320 YEAH! WHOO! 546 00:27:33,352 --> 00:27:36,255 SO, WHAT DO YOU THINK? 547 00:27:36,255 --> 00:27:38,257 I NEVER REALIZED THERE WERE 548 00:27:38,257 --> 00:27:41,190 SO MANY DIFFERENCES BETWEEN DOGS AND CATS. (laughs) 549 00:27:41,190 --> 00:27:43,693 THAT'S WHY I'M THE COMIC, BABE. 550 00:27:45,895 --> 00:27:47,997 I'M OFF TO GET MY FREE DRINK. 551 00:27:47,997 --> 00:27:51,000 (indistinct conversations) 552 00:27:52,371 --> 00:27:54,874 PORTER, 553 00:27:54,874 --> 00:27:57,376 I LEFT MY JACKET IN THE CAR. WALK ME OUT? 554 00:27:57,376 --> 00:28:01,310 JACKET? IT'S HOT AS HELL IN HERE. 555 00:28:01,310 --> 00:28:04,313 OOH. NOW I FEEL A CHILL. 556 00:28:04,313 --> 00:28:05,715 MM-HMM. 557 00:28:14,023 --> 00:28:17,396 UM... I GOTTA USE THE BATHROOM. 558 00:28:17,396 --> 00:28:21,000 OKAY, WHAT IS YOUR PROBLEM? 559 00:28:21,000 --> 00:28:22,371 EXCUSE ME? 560 00:28:22,371 --> 00:28:25,775 WHENEVER WE'RE ALONE TOGETHER, YOU FIND SOME REASON TO BAIL. 561 00:28:25,775 --> 00:28:27,777 WHY AREN'T YOU INTO ME? 562 00:28:27,777 --> 00:28:31,310 ANA, THERE'S NOT A LOT OF ROOM TO BE INTO YOU, 563 00:28:31,310 --> 00:28:33,783 BECAUSE OF HOW MUCH YOU'RE INTO YOU. 564 00:28:33,783 --> 00:28:36,285 YOU DID NOT JUST CALL ME CONCEITED. 565 00:28:36,285 --> 00:28:39,288 CHILL. IT'S NOT LIKE I ASKED YOU TO SPELL IT. 566 00:28:39,288 --> 00:28:42,291 I'M NOT STUPID, AND I AM DEFINITELY 567 00:28:42,291 --> 00:28:44,794 NOT THE ATTENTION WHORE AT THIS TABLE. 568 00:28:47,026 --> 00:28:51,100 I HEARD ABOUT YOUR LITTLE STUNT WITH THE PILLS. 569 00:28:51,100 --> 00:28:53,332 OKAY, THAT WAS MEAN. 570 00:28:53,332 --> 00:28:55,434 I'M SORRY THAT I SAID THAT. 571 00:28:58,307 --> 00:28:59,809 DON'T BE SORRY. 572 00:28:59,809 --> 00:29:01,310 YOU'RE RIGHT. 573 00:29:06,145 --> 00:29:08,317 I LIKE THE BLUNT ANA 574 00:29:08,317 --> 00:29:10,419 MORE THAN THE CUTE ANA. 575 00:29:13,052 --> 00:29:14,483 SO... 576 00:29:14,483 --> 00:29:17,857 YOU THINK I'M CUTE? 577 00:29:17,857 --> 00:29:20,159 (chuckles) 578 00:29:21,991 --> 00:29:25,294 YOU'RE HOME. PERFECT TIMING. 579 00:29:25,294 --> 00:29:26,936 MARGARITAS. WHAT'S THE OCCASION? 580 00:29:26,936 --> 00:29:29,398 WE'RE GETTING DRUNK, MEXICAN STYLE. 581 00:29:29,398 --> 00:29:31,440 PRINCIPAL HOBSON JUST CALLED, 582 00:29:31,440 --> 00:29:33,272 AND JUANITA GOT ACCEPTED TO OAKRIDGE. 583 00:29:33,272 --> 00:29:34,904 SERIOUSLY? 584 00:29:34,904 --> 00:29:37,076 I AM FREE FROM HOMESCHOOLING. 585 00:29:37,076 --> 00:29:38,978 NO MORE FIGHTING, NO MORE THREATS 586 00:29:38,978 --> 00:29:43,012 AND NO MORE PARENT-TEACHER CONFERENCES WITH YOU. 587 00:29:43,012 --> 00:29:44,854 (chuckles) MMM. 588 00:29:44,854 --> 00:29:46,916 (slurps) (sets glass on counter) 589 00:29:46,916 --> 00:29:48,787 AHH. COME ON. START GUZZLIN'. 590 00:29:48,787 --> 00:29:50,860 UH, I DON'T THINK SHE SHOULD GO. 591 00:29:57,566 --> 00:30:00,199 HUH? I'VE BEEN THINKING ABOUT IT ALL DAY. 592 00:30:00,199 --> 00:30:02,201 LET'S KEEP HER IN PUBLIC SCHOOL. 593 00:30:02,201 --> 00:30:05,174 WE CAN'T. SHE WAS EXPELLED. I MADE SOME CALLS. 594 00:30:05,174 --> 00:30:08,277 JEFFERSON ELEMENTARY CAN TAKE HER. THAT'S WAY OUT IN MT. PLEASANT. 595 00:30:08,277 --> 00:30:10,309 YEAH, AND THERE'S A LOT OF LATINO FAMILIES 596 00:30:10,309 --> 00:30:12,311 THAT LIVE IN THAT AREA. SO WHAT? 597 00:30:12,311 --> 00:30:15,244 WE HAVE A MUCH BETTER SCHOOL RIGHT HERE IN OUR BACKYARD. 598 00:30:15,244 --> 00:30:17,246 I'M NOT SCHLEPPING WAY OVER THERE 599 00:30:17,246 --> 00:30:19,388 JUST SO SHE CAN BE WITH THOSE PEOPLE. 600 00:30:19,388 --> 00:30:23,192 "THOSE" PEOPLE? DON'T YOU MEAN OUR PEOPLE? 601 00:30:23,192 --> 00:30:27,226 OUR PEOPLE ARE THE RICH PRIVATE SCHOOL PEOPLE. 602 00:30:27,226 --> 00:30:30,599 OH, MY GOD. I KNOW EXACTLY WHAT IS GOING ON HERE. 603 00:30:30,599 --> 00:30:34,403 WHAT? YOU ARE ASHAMED OF BEING MEXICAN. 604 00:30:34,403 --> 00:30:36,605 OH, THAT'S INSANE. NO, IT TOTALLY MAKES SENSE. 605 00:30:36,605 --> 00:30:39,238 ALL OF OUR FRIENDS ARE WHITE. 606 00:30:39,238 --> 00:30:42,271 YOU DIDN'T WANT ME TO TEACH THE GIRLS SPANISH. BECAUSE I DON'T UNDERSTAND IT, 607 00:30:42,271 --> 00:30:45,174 AND I DIDN'T WANT YOU GUYS PLOTTING BEHIND MY BACK. AND WHEN WE BOUGHT THIS HOUSE, 608 00:30:45,174 --> 00:30:48,217 AND I SAID WE WOULD BE THE ONLY MEXICANS IN THE NEIGHBORHOOD, 609 00:30:48,217 --> 00:30:52,421 DO YOU REMEMBER WHAT YOU SAID? "FINE BY ME." YOU'RE RIGHT. IT'S MY FAULT. I SHOULD HAVE TOLD THE REALTOR, 610 00:30:52,421 --> 00:30:54,423 "FORGET SQUARE FOOTAGE AND CENTRAL AIR. 611 00:30:54,423 --> 00:30:57,426 FIND US SOMETHING NEXT DOOR TO A MARIACHI BAR." 612 00:30:57,426 --> 00:31:00,559 DENY IT ALL YOU WANT. YOU ARE A SELF-HATING MEXICAN. 613 00:31:00,559 --> 00:31:02,631 OH, YEAH, WELL, YOU'RE A SELF-WIPING MEXICAN. 614 00:31:02,631 --> 00:31:04,333 WHAT DOES THAT MEAN? 615 00:31:14,873 --> 00:31:16,475 (door creaks) 616 00:31:18,407 --> 00:31:20,209 HEY, YOU. 617 00:31:20,209 --> 00:31:23,482 TRAFFIC WAS INSANE. 618 00:31:23,482 --> 00:31:26,585 IS THERE ANY DINNER LEFT? I HAVEN'T EATEN SINCE LUNCH. 619 00:31:28,988 --> 00:31:31,190 EVERYTHING OKAY? 620 00:31:31,190 --> 00:31:33,993 I TALKED TO CARLOS TODAY. 621 00:31:33,993 --> 00:31:35,594 ABOUT WHAT? 622 00:31:35,594 --> 00:31:38,928 HE WAS UNDER THE IMPRESSION THAT WHEN I HAVE THIS BABY, 623 00:31:38,928 --> 00:31:40,930 I'LL BE STAYING HOME WITH HER. 624 00:31:42,671 --> 00:31:45,434 WHERE WOULD HE GET A CRAZY IDEA LIKE THAT? 625 00:31:45,434 --> 00:31:48,337 I TOLD HIM. 626 00:31:48,337 --> 00:31:51,440 WOW! YOU'RE NOT EVEN DENYING IT? 627 00:31:51,440 --> 00:31:54,343 I THOUGHT IT MIGHT BE IN YOUR BEST INTEREST. 628 00:31:54,343 --> 00:31:56,315 SERIOUSLY? 629 00:31:56,315 --> 00:31:59,618 YOU KNOW HOW MUCH THAT JOB MEANS TO ME. 630 00:31:59,618 --> 00:32:03,422 YOU KNOW HOW MUCH I HATE BEING A STAY-AT-HOME MOM. 631 00:32:03,422 --> 00:32:07,026 HOW COULD YOU THINK I'D BE OKAY WITH THIS? 632 00:32:07,026 --> 00:32:10,029 BECAUSE WE LOST A BABY. 633 00:32:13,462 --> 00:32:14,964 (sighs) 634 00:32:14,964 --> 00:32:18,107 HONEY, I THOUGHT YOU MIGHT WANT TO STAY HOME WITH THIS ONE, 635 00:32:18,107 --> 00:32:22,411 BECAUSE SHE'S ALL THE MORE PRECIOUS, GIVEN WHAT HAPPENED. 636 00:32:22,411 --> 00:32:24,713 OH. 637 00:32:24,713 --> 00:32:27,246 SO THAT'S HOW I'M SUPPOSED TO FEEL. 638 00:32:27,246 --> 00:32:29,979 I DON'T KNOW HOW YOU FEEL, LYNETTE, 639 00:32:29,979 --> 00:32:32,251 BECAUSE YOU NEVER TALK ABOUT IT. 640 00:32:32,251 --> 00:32:35,254 IT'S BEEN A MONTH. EVERY TIME I TRY TO BRING IT UP, 641 00:32:35,254 --> 00:32:38,357 YOU JUST-- YOU CHANGE THE SUBJECT. BECAUSE I'M DEALING WITH IT. 642 00:32:38,357 --> 00:32:41,490 WELL, SHOULDN'T WE BE DEALING WITH IT TOGETHER? YOU WANT TO TALK ABOUT THIS? 643 00:32:41,490 --> 00:32:44,493 YES! FINE! WE LOST A KID. WE'LL NEVER MEET HIM. 644 00:32:44,493 --> 00:32:47,496 WE'LL SPEND THE REST OF OUR LIVES LOOKING AT ONE, 645 00:32:47,496 --> 00:32:49,498 ALWAYS WONDERING WHY THERE AREN'T TWO. 646 00:32:49,498 --> 00:32:52,371 HOW CAN SAYING THIS OUT LOUD BE HELPFUL? 647 00:32:57,276 --> 00:33:01,280 YOU'RE RIGHT. IT'S NOT. 648 00:33:03,512 --> 00:33:06,455 YOU WIN. 649 00:33:06,455 --> 00:33:08,457 AFTER YOU HAVE THE BABY, 650 00:33:08,457 --> 00:33:10,459 GO BACK TO YOUR JOB. 651 00:33:12,591 --> 00:33:14,493 THANK YOU. 652 00:33:18,367 --> 00:33:20,999 YOU WANT ME TO FIX YOU SOMETHING? 653 00:33:23,172 --> 00:33:25,304 I'M NOT-- I'M NOT HUNGRY ANYMORE. 654 00:33:30,709 --> 00:33:32,411 (rock music playing) 655 00:33:32,411 --> 00:33:33,712 (man) NOW REMEMBER, FELLAS, 656 00:33:33,712 --> 00:33:36,385 THESE LADIES DON'T WORK FOR FREE. 657 00:33:39,448 --> 00:33:41,120 HEY, ROONEY. 658 00:33:41,120 --> 00:33:43,352 OH, HEY, MIKE. LONG TIME NO SEE. 659 00:33:43,352 --> 00:33:46,355 YEAH, I GOT THE CALL ABOUT YOUR JOHN BEING BACKED UP. 660 00:33:46,355 --> 00:33:48,627 WHAT? NO, OUR BATHROOMS ARE WORKING JUST FINE. 661 00:33:48,627 --> 00:33:51,800 THAT'S WEIRD. SOME WOMAN CALLED AND SAID IT WAS AN EMERGENCY. 662 00:33:53,402 --> 00:33:56,465 I'M SORRY, MAN. I-I DON'T KNOW WHAT TO TELL YOU. 663 00:33:56,465 --> 00:33:59,068 ALL RIGHT, IT'S TIME TO INTRODUCE 664 00:33:59,068 --> 00:34:01,140 OUR NEWEST DOUBLE D DOLL-- 665 00:34:01,140 --> 00:34:03,172 MISS FIX-IT! 666 00:34:03,172 --> 00:34:06,715 (men hooting and cheering) 667 00:34:06,715 --> 00:34:10,219 ♪♪♪ 668 00:34:12,381 --> 00:34:15,384 WHAT THE HELL? 669 00:34:19,158 --> 00:34:21,090 (whistling) 670 00:34:21,090 --> 00:34:22,531 SUSAN! 671 00:34:22,531 --> 00:34:24,593 MIKE! WHAT ARE YOU DOING HERE? 672 00:34:24,593 --> 00:34:27,396 WHAT THE HELL ARE YOU DOING? 673 00:34:27,396 --> 00:34:30,499 OH, WELL, SINCE I'M ONE OF THE OWNERS, 674 00:34:30,499 --> 00:34:33,502 I FIGURED I SHOULD REALLY LEARN THE BUSINESS, 675 00:34:33,502 --> 00:34:36,275 FROM MY BOTTOM UP. (slap) 676 00:34:36,275 --> 00:34:37,576 HEY, YOU MIND? 677 00:34:37,576 --> 00:34:41,079 I'M TRYING TO MAKE A DEPOSIT HERE. 678 00:34:41,079 --> 00:34:44,153 (man) HEY! WILL YOU COME DOWN FROM THERE RIGHT NOW? 679 00:34:44,153 --> 00:34:47,686 WHY? THEY'RE JUST LOOKING. IT'S COMPLETELY INNOCENT. 680 00:34:47,686 --> 00:34:48,857 RIGHT? (slap) 681 00:34:48,857 --> 00:34:52,261 (hooting and whistling continues) 682 00:34:52,261 --> 00:34:53,562 HEY, PAL. SIT DOWN. 683 00:34:53,562 --> 00:34:56,125 I DIDN'T COME HERE TO SEE THE BACK OF YOUR HEAD. 684 00:34:56,125 --> 00:34:58,127 (thud) THIS IS NOT FUNNY. 685 00:34:58,127 --> 00:34:59,598 OH, I CAN'T TALK. 686 00:34:59,598 --> 00:35:02,471 I'VE GOT A ROOM FULL OF NEANDERTHALS TO ENTERTAIN. 687 00:35:02,471 --> 00:35:05,434 ♪♪♪ 688 00:35:05,434 --> 00:35:08,607 WHOA, WHOA, WHOA. WHAT ARE YOU DOING? 689 00:35:08,607 --> 00:35:11,410 JUST GIVING PEOPLE WHAT THEY WANT. 690 00:35:13,742 --> 00:35:16,385 DON'T YOU DARE. SUSAN, I'M SERIOUS. 691 00:35:16,385 --> 00:35:19,188 I WANT YOU OFF OF THAT STAGE RIGHT NOW. 692 00:35:19,188 --> 00:35:22,451 WAIT. ARE YOU FORBIDDING ME FROM DOING SOMETHING? 693 00:35:22,451 --> 00:35:25,594 I THOUGHT WE DIDN'T HAVE THAT KIND OF MARRIAGE. 694 00:35:25,594 --> 00:35:29,528 VERY CUTE. IF I HAVE TO, I WILL CARRY YOU OUT OF HERE MYSELF. 695 00:35:29,528 --> 00:35:31,660 OH, WHAT EXACTLY IS THE PROBLEM, MIKE? 696 00:35:31,660 --> 00:35:33,802 (crowd groaning and booing) OH! 697 00:35:33,802 --> 00:35:36,505 (sighs) 698 00:35:36,505 --> 00:35:39,868 (shouting indistinctly) 699 00:35:39,868 --> 00:35:41,570 OKAY. I GET IT. 700 00:35:41,570 --> 00:35:44,443 I WILL NEVER COME BACK HERE. 701 00:35:46,175 --> 00:35:48,747 (man) AW! COME ON! 702 00:35:48,747 --> 00:35:50,519 (booing) 703 00:35:50,519 --> 00:35:53,552 LET'S GO HOME, MRS. FIX-IT. (laughs) 704 00:35:53,552 --> 00:35:56,485 WAIT. WAIT. FORGOT MY TIPS! 705 00:36:35,424 --> 00:36:37,426 WHAT ARE YOU LOOKING AT? 706 00:36:37,426 --> 00:36:40,469 NOTHING. JUST SOME OLD PHOTOS. 707 00:36:42,301 --> 00:36:44,803 I DIDN'T KNOW YOU HAD THESE. 708 00:36:44,803 --> 00:36:46,975 WE COULDN'T AFFORD FRAMES, 709 00:36:46,975 --> 00:36:50,239 SO MY DAD WOULD PUT THESE ON THE WALL WITH TAPE. 710 00:36:52,281 --> 00:36:53,812 IS THAT YOU? 711 00:36:53,812 --> 00:36:57,546 YEAH. I WAS ABOUT 5. 712 00:36:57,546 --> 00:36:58,887 YOU'RE CUTE. HMM. 713 00:36:58,887 --> 00:37:02,951 BUT THAT TOOLSHED'S SEEN BETTER DAYS. 714 00:37:02,951 --> 00:37:05,454 THAT WAS OUR HOUSE. 715 00:37:09,598 --> 00:37:12,731 WOW. (sighs) 716 00:37:12,731 --> 00:37:14,533 IT'S FUNNY. 717 00:37:14,533 --> 00:37:18,667 I'M SMILING IN ALL OF THESE PHOTOS, BUT... 718 00:37:18,667 --> 00:37:22,240 I HATED THAT TOWN. 719 00:37:22,240 --> 00:37:25,814 EVERYBODY WAS SO POOR. EVERYBODY WAS MEXICAN. 720 00:37:27,876 --> 00:37:30,579 BACK THEN I THOUGHT THEY WERE THE SAME THING. 721 00:37:32,521 --> 00:37:37,326 AND EVEN THOUGH I WAS ONLY 5, I KNEW I WANTED OUT. 722 00:37:40,329 --> 00:37:42,331 AND YOU CAN CALL IT SELF-LOATHING, CARLOS, 723 00:37:42,331 --> 00:37:44,693 BUT I JUST... 724 00:37:44,693 --> 00:37:49,638 DON'T WANT MY KIDS TO EVER KNOW I LIVED LIKE THAT. 725 00:37:53,342 --> 00:37:55,904 THAT'S YOUR DAD. 726 00:37:55,904 --> 00:37:57,546 YEAH. 727 00:37:58,747 --> 00:38:00,509 HE WAS SO STRONG. 728 00:38:00,509 --> 00:38:02,511 I WOULD RUN TO MEET HIM 729 00:38:02,511 --> 00:38:05,514 WHEN HE'D COME HOME FROM WORKING IN THE FACTORIES, 730 00:38:05,514 --> 00:38:09,318 AND HE'D LIFT ME UP ON HIS SHOULDERS. 731 00:38:09,318 --> 00:38:11,620 I LOVED THAT. 732 00:38:11,620 --> 00:38:13,522 I BET HE DID, TOO. 733 00:38:15,824 --> 00:38:20,529 I USED TO ASK HIM, "PAPá, WHY DO YOU WORK SO MUCH?" 734 00:38:20,529 --> 00:38:22,030 AND HE WOULD SAY, 735 00:38:22,030 --> 00:38:25,334 "SO ONE DAY WE CAN LIVE IN A BEAUTIFUL HOUSE." 736 00:38:28,507 --> 00:38:30,539 BUT WE NEVER DID. 737 00:38:32,841 --> 00:38:36,645 (sighs) BUT YOU DO NOW. 738 00:38:39,948 --> 00:38:42,591 YOUR FATHER HAD DREAMS, GABY, 739 00:38:42,591 --> 00:38:44,593 BUT THEY WERE FOR YOU, 740 00:38:44,593 --> 00:38:47,396 AND HE SACRIFICED A LOT TO GET YOU HERE. 741 00:38:50,629 --> 00:38:53,962 WHATEVER OUR CHILDREN ACHIEVE IN LIFE, 742 00:38:53,962 --> 00:38:55,964 IT'S BECAUSE OF DREAMS THAT STARTED 743 00:38:55,964 --> 00:39:01,610 ON THE SHOULDERS OF A PROUD, STRONG, MEXICAN MAN. 744 00:39:01,610 --> 00:39:04,713 THAT IS WHY I WANT OUR KIDS TO KNOW WHERE THEY CAME FROM. 745 00:39:09,478 --> 00:39:11,980 I WANT THAT, TOO. 746 00:39:23,892 --> 00:39:26,665 SO, UM... 747 00:39:26,665 --> 00:39:29,668 HOW DO YOUR PHYSICAL THERAPISTS THINK YOU'RE DOING? 748 00:39:32,671 --> 00:39:35,674 DO THEY THINK YOU'RE MAKING PROGRESS? 749 00:39:43,582 --> 00:39:45,584 ORSON, IT'S BEEN THREE DAYS. 750 00:39:45,584 --> 00:39:48,617 YOU'RE GONNA HAVE TO TALK TO ME SOMETIME. 751 00:39:48,617 --> 00:39:52,561 I KNOW WHY YOU'RE DOING THIS, BREE. 752 00:39:52,561 --> 00:39:56,064 REVEREND SYKES STOPPED BY TO CHECK ON MY PROGRESS. 753 00:39:56,064 --> 00:39:58,066 HE WAS VERY PROUD OF HIMSELF 754 00:39:58,066 --> 00:40:01,830 FOR CONVINCING YOU TO TAKE ME ON AS CHARITY WORK. 755 00:40:01,830 --> 00:40:04,803 IT'S NOT CHARITY WORK. 756 00:40:04,803 --> 00:40:07,806 WHEN I HAD THAT AFFAIR, I DIDN'T JUST BETRAY YOU. 757 00:40:07,806 --> 00:40:10,178 I BETRAYED MY FAITH AS WELL. 758 00:40:10,178 --> 00:40:13,512 SO PLEASE, YOU HAVE TO LET ME HELP YOU OR I AM G-- 759 00:40:13,512 --> 00:40:15,614 OR YOU WON'T GET INTO HEAVEN? 760 00:40:18,747 --> 00:40:21,119 DIDN'T REALIZE HOW MUCH THIS MEANS TO YOU. 761 00:40:23,552 --> 00:40:26,895 I GUESS I CAN FIND A WAY TO BE HAPPY. 762 00:40:26,895 --> 00:40:29,558 THANK YOU SO MUCH, ORSON. 763 00:40:29,558 --> 00:40:32,861 I AM GONNA TAKE SUCH GOOD CARE OF YOU. 764 00:40:35,504 --> 00:40:36,565 (clink) 765 00:40:36,565 --> 00:40:38,907 BY THE WAY, MY SOUP IS COLD. 766 00:40:38,907 --> 00:40:40,509 OH. 767 00:40:40,509 --> 00:40:43,612 WELL, MINE IS HOT. 768 00:40:43,612 --> 00:40:46,014 YOU CAN HAVE THIS. 769 00:40:53,722 --> 00:40:57,055 OH, WHILE YOU'RE UP, COULD YOU GET ME A GLASS OF WINE? 770 00:40:57,055 --> 00:41:00,659 YES, OF COURSE. 771 00:41:00,659 --> 00:41:02,631 AND PERHAPS FOR DESSERT, 772 00:41:02,631 --> 00:41:05,664 SOME OF YOUR DELICIOUS CRèME BRûLéE. 773 00:41:05,664 --> 00:41:08,136 ORSON, THAT TAKES OVER AN HOUR TO PREPARE. I-- 774 00:41:08,136 --> 00:41:10,799 WELL, I WOULD DO IT MYSELF, BUT... 775 00:41:20,609 --> 00:41:24,082 OH, AND WE'RE OUT OF VANILLA BEANS. 776 00:41:24,082 --> 00:41:27,616 YOU MIGHT HAVE TO RUN TO THE STORE. 777 00:41:44,573 --> 00:41:46,675 (silverware clinks) 778 00:41:48,276 --> 00:41:52,641 THE ACT ITSELF IS QUITE SIMPLE-- 779 00:41:52,641 --> 00:41:55,614 YOU STRIP AWAY THE OUTER LAYER 780 00:41:55,614 --> 00:41:58,817 AND REVEAL WHAT'S UNDERNEATH. 781 00:41:58,817 --> 00:42:00,518 OF COURSE, 782 00:42:00,518 --> 00:42:05,694 SOMETIMES THE RESULTS CAN BE QUITE SURPRISING. 783 00:42:05,694 --> 00:42:09,828 IF YOU STRIP AWAY THE VENEER OF HAPPY DOMESTICITY, 784 00:42:09,828 --> 00:42:13,101 YOU MAY FIND GRIEF. 785 00:42:13,101 --> 00:42:17,566 IF YOU STRIP AWAY THAT FACADE OF WEALTH, 786 00:42:17,566 --> 00:42:21,239 YOU MAY FIND SELF-LOATHING. 787 00:42:21,239 --> 00:42:26,615 IF YOU STRIP AWAY THE VEIL OF HELPLESSNESS, 788 00:42:26,615 --> 00:42:31,079 YOU MAY FIND CRUELTY. 789 00:42:31,079 --> 00:42:38,086 YES, STRIPPING CAN BE A DANGEROUS PASTIME. 790 00:42:38,086 --> 00:42:41,289 BUT FOR A LUCKY FEW, 791 00:42:41,289 --> 00:42:43,561 IT CAN ALSO BE... 792 00:42:43,561 --> 00:42:46,294 A LOT OF FUN.